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Working with our attention on the sound of our words returns a spirit of play and discovery to our writing. Even while writing free verse, we can call on a range of musical techniques to both enrich our poems and help us access content that we are not yet conscious of. In this workshop, we will first read poems that put musical form and elements at the forefront. We will review tools such as rhyme, alliteration, assonance, syllabic stresses, and enjambment. Then we will turn to playing with these techniques and others (such as listening to a poem in a language you don’t know and “translating” it, and writing while listening to music) to produce work that is freer and perhaps more revelatory — with a more direct connection to the muse. The workshop will include discussing the new work we have generated. Maximum attendees: 15. Please register now to secure your place!